StudioLive AVB 64AI Mix System

This product has been discontinued.

48 locking XLR inputs, each with:
- Recallable XMAX Class A mic preamps
- +48V phantom power
16 locking combo XLR mic/¼" line inputs, each with
- Recallable XMAX Class A mic preamps
- +48V phantom power
Stereo RCA tape inputs (per mixer)
32 XLR line-level Mix outputs (16 + 16)
- Four 500 ms alignment delays on the last four Mix outputs of each mixer
4 DB25 jacks mirror 32 line-level Mix outputs (2 per mixer)
3 XLR main outputs (left, right, mono/center of master unit) with analog trim pots (master mixer)
S/PDIF digital output on removable option card (per mixer)
Headphone output with volume knob and selectable source (per mixer)
1x1 MIDI I/O (for future implementation; per mixer)

Designed specifically for live sound mixing
Multiplatform support for Mac®, Windows®, and iPad®
- Windows 8/10 multi-touch-compatible for large touchscreen mixing (touchscreen not included)
- Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
Contextual-based navigation for quick, intuitive access to all mixing functions
8 Mute Groups with All On and All Off
Scene Store and Recall
- Global Scene Storage: all current StudioLive RML settings
- Up to 99 at a time
- 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
- Automatic Global AutoStore
- Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
Individual channel-strip setting storage
- Up to 100 at a time, plus…
- 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
- Copy and paste among channels and buses
- Can be saved as user presets
- Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
Contextual Presets System
Presets filtered by Channel Types
Quickly audition presets on the fly
- Edit auditioned preset before loading
- Exit Audition mode with out loading to return to previous settings
- Save and load presets on all platforms including iOS®
Filter DCAs
- Unlimited groups
- Automatic group creation using Channel Types
- Custom groups
Security features to monitor and restrict access to the mixer’s controls

Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
Studio One® Artist full-featured digital audio workstation software (Mac/Windows)
QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store

USB jack and included Wi-Fi LAN adapter provide direct wireless control (using a router)
2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card per mixer. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.
SL-Dante-Mix option card available separately

Dual Fat Channel signal processing on all channels and buses with:
- Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
- Variable lowpass filter on the mono/center bus
- 4-band fully parametric EQ
  - Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
  - Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
  - High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
  - High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
  - Master EQ On/Off
- Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
- Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec;
- Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
- Limiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio
- Pan
- Stereo Link for input channels and aux buses
- Polarity reverse (input channels only)
- Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)
4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses (per mixer)