This product has been discontinued.
Inputs and Outputs
- 24 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs, each with:
- Recallable XMAX Class A analog mic preamps
- +48V phantom power
- Stereo tape input (RCA jacks)
- 8 XLR line-level Mix outputs
- Four 300 ms alignment delays on the last four Mix outputs
- 1 DB25 jack mirrors 8 line-level Mix outputs
- 3 XLR main outputs (left, right, mono/center) with analog trim pots
- S/PDIF digital output on removable option card
- Headphone output with volume knob and selectable source
- 1x1 MIDI I/O (for future implementation)
Channels and Buses
- 32 internal channels
- 25 mix buses
- 16 aux mix buses
- 3 main mix buses (left, right, mono/center)
- Stereo solo bus
- 4 internal FX buses (2 reverb, 2 delay)
- Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)
UC Surface Live Mixing and Control Software
- Designed specifically for live sound mixing
- Multiplatform support for Mac®, Windows®, and iPad®
- Windows 8/10 multi-touch-compatible for large touchscreen mixing
- Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
- Contextual-based navigation for quick, intuitive access to all mixing functions
- 8 Mute Groups with All On and All Off
- Scene Store and Recall
- Global Scene Storage: all current StudioLive RML settings
- Up to 99 at a time
- 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
- Automatic Global AutoStore
- Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
- Individual channel-strip setting storage
- Up to 100 at a time, plus…
- 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
- Copy and paste among channels and buses
- Can be saved as user presets
- Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
- Contextual Presets System
- Presets filtered by Channel Types
- Quickly audition presets on the fly
- Edit auditioned preset before loading
- Exit Audition mode with out loading to return to previous settings
- Save and load presets on all platforms including iOS
- Filter DCAs
- Unlimited groups
- Automatic group creation using Channel Types
- Custom groups
- Security features to monitor and restrict access to the mixer’s controls
Other Actively Integrated Software
- Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
- Studio One® Artist full-featured digital audio workstation software (Mac/Windows)
- QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store
Networking Connections
- 2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.
- SL-Dante-Mix option card available separately
- Use AVB to cascade two RM/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive ® AI-series front-of-house console
Signal Processing
- Dual Fat Channel signal processing on all channels and buses with:
- Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and auxes only)
- Variable lowpass filter on the mono/center bus
- 4-band fully parametric EQ
- Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
- Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
- High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
- High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
- Master EQ On/Off
- Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
- Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec
- Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
- Limiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio
- Pan
- Stereo link for input channels and aux buses
- Polarity reverse (input channels only)
- Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
- 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)
- 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses
Hardware Controls
- 32 LED meter grid
- Front-panel Mute All button temporarily mutes all inputs and outputs
- +48V Meters button to display phantom power assignment on the meter grid
- Headphone source selection between Main and Cue
- StudioLive CS18AI AVB control surface available separately
Digital
- High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
- Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
- Internal sample frequency 44.1, 48, 88.2, 96 kHz
Physical
- 3U rack-mount steel chassis